2024 SCHEDULE

Thursday 7thTITLEDIRECTORDURATIONSECTION
14.30Possession Robby Ertanto93′ Out of Competition
16:30Pula Brillante Mendoza114′Competition
18:30What You Wish For Nicholas Tomnay101′ 🎟️Competition
21:15Ghostlight K.O’SullivanA.Thompson115′ 🎟️Newcomers
A remake of Zulawski’s classic horror in an Indonesian key, a revenge movie from the Philippines, a cooking-related horror in South America and a drama of British theatrical pattern introduce the dark side of genre cinema on our first day
Friday 8th Thriller DayTITLEDIRECTORDURATIONSECTION
14.30Deleter Mikhail Red93′Competition
16:15A Long Shot Gao Peng114′Competition
18:30Saloum Jean Luc Herbulot101′ 🎟️Out of Competition
21:00To a Land Unknown Mahdi Fleifel105′ 🎟️Competition
Second day dedicated to thrillers: a Filipino production that tackles the dark web, a social drama featuring a shooter in 1990s China, a supernatural western set in Senegal, and an Athenian noir starring two Palestinian refugees.
Saturday 9thTITLEDIRECTORDURATIONSECTION
14.00Divinity Eddie Alcazar87′Newcomers
15:45Aberrance Baatar Batsukh76′Newcomers
17:15The Waterhouse Samuel Clemens84′Competition
19:15The Killer GoldfishYukihiko Tsutsumi95′ 🎟️Competition
21:30Shikun Amos Gitai85′ 🎟️Out of Competition
The show increases along with the nightmare on day three: it starts with the dystopian-style analog science fiction produced by Steven Soderbergh (Solaris, Contagion), moving on to a horror with a couple in the Mongolian woods, a supernatural thriller by the sea (in the presence of director and producer The Waterhouse), a crazy mix of detective and sci-fi story by a veteran of Japanese cinema and finally, from the Berlinale, the latest reflection of Amos Gitai through the theatre of the absurd on the direction that Israel is taking .
Sunday 10th Horror DayTITLEDIRECTORDURATIONSECTION
14.00Mom Adam O’Brien95′Newcomers
16:00Nightwatch Ole Bornedal113′Competition
18:30Black Cab Bruce Goodison87′ 🎟️Competition
21:00Minore Konstantinos Koutsoliotas112′ 🎟️Competition
Sunday fourth day dedicated to horror and stars: a psychological drama starring Emily Hampshire, the 30-years-in-the-making sequel of the Nordic thriller that launched the career of Nikolaj Coster-Waldau (Jaime from Game of Thrones), a Nick Frost different than usual in a British gothic horror and finally a Greek title of Lovecraftian inspiration.
Monday 11thTITLEDIRECTORDURATIONSECTION
14.30Flaming Cloud Liu Siyi107′Newcomers
16:30Black Mold John Pata113′Newcomers
18:30Indera Woo Jing Ming104′ 🎟️Competition
21:00The Code Eugene Kotlyarenko98′ 🎟️Competition
Day Five begins with a fantasy Chinese tale by a debutant director, followed by a thriller in an abandoned house through the deepest corners of America, a supernatural horror from Malaysia echoing The VVitch and an experimental film that reflects on the impact of social media and the pandemic in contemporary relations (the director of The Code will be our guest).
Tuesday 12thTITLEDIRECTORDURATIONSECTION
14:30Fanti Andy Nguyen108′Newcomers
16:15What Remains Ran Huang126′Competition
18:30Cold Wallet Cutter Hodierne92′ 🎟️Competition
A smaller format for the sixth day, with three high-tension titles: a social-technological thriller in the world of entertainment from Vietnam, a psychological drama inspired by a true crime story starring Andrea Riseborough (Birdman, Mandy), Stellan and Gustaf Skarsgard (Vikings) and a revenge movie related to the world of cryptocurrency and Reddit.
Wednesday 13thTITLEDIRECTORDURATIONSECTION
14.30Creepy Crawly Chalit & Pakphum92′Newcomers
16:30Chasing a Shooting StarHaitao Guo99′Newcomers
18:30Oversteer Derrick Lui86′ 🎟️Competition
21:00Birthday Girl Michael Noer95′ 🎟️Out of Competition
Last day dedicated to Oriental cinema, featuring a hospital horror from Thailand, a road movie based on the true story of the fall of a meteorite in China, and an adrenaline action set in the world of racing in Singapore. Our festival closes with a Danish thriller set on a cruise ship by the director of the remake of Papillon starring Trine Dyrholm (The Commune, Nico 1988).